Bath at the BatteriaIUAV, Venice, Winter 2019
The project takes on the form of an installation in one of the abandoned houses on the site, allegedly the commander’s house. The installation consists of an intervention in one of the most intimate spaces of the domestic realm: the bathroom. The bathtub full of water and foam surrounded by all the necessary toiletry, is an explicit invitation to clean and perhaps cleanse oneself. This restored corner of the bathroom, only standing piece of architecture in an otherwise desolate military dwelling, and theater of domestic life, takes on a whole new meaning.
The visual, olfactive, and auditive queues create a multi-sensorial experience that each one of us can relate to for its simplicity and triviality. The piano soundtrack emphasizes the stillness of the moment, and create a bubble of introspection: the musical masterpiece appeals to our universal capacity to appreciate absolute beauty. The intimacy of the moment, and the music are as many elements to connect simultaneously with the other spectators and the subject taking a bath. Where is the protagonist? How did the mirror break? Why has a glass full of red wine dropped on the floor? The spectator thrown suddenly into a voyeuristic setting, will be urged to imagine their own story to make sense of it, triggering their ability to empathize, and perhaps generate a new set of memories linked to this place.
Re-appropriation of memory
Does cleaning one’s exteriority help redeem one’s interiority? This question not only applies to a human subject, from the spectator of this artwork, to the former occupant of the house, but also to the architectural space, restored for that purpose. The central theme of the proposed work is the (im)possibility of re-appropriating places of crime, war and trauma and their memories, into spaces as reassuring and safe as our own homes. Therefore, the artwork serves as a mere catalyst to the viewer’s introspective contemplation.